本文首先对双性同体这一文化现象作了简要的分析,以此论述了莎士比亚戏剧中的双性同体问题。结合荣格的相关理论,本文得出如下结论,即“双性同体”是人的原初和完美的存在状态,对返回这种状态的欲望则是隐藏在社会表层意识之下的集体无意识。可以说,莎士比亚戏剧中的双性同体有着宗教和神话的内核,具有荣格所谓的“原型”的意味,这也是其作品能够打动观众的内在驱动力量。一、作为一种文化现象的双性同体英国著名女作家弗吉尼亚·伍尔夫在其著作《一间 This paper first makes a brief analysis of the cultural phenomenon of bisexuality and homosexuality, and discusses the problem of bisexuality in Shakespearean drama. Combined with Jung’s theory, this paper draws the conclusion that “Androgyny ” is the original and perfect state of human being, and the desire to return to this state is the collective unconscious hidden under the social surface consciousness . It can be said that bisexual homosexuals in Shakespeare’s plays have the core of religion and mythology and have the meaning of Jung’s so-called “prototype”, which is also the inner driving force of his works to impress the audience. First, as a cultural phenomenon of both sexes British famous writer Virginia Woolf in his book "a