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传媒时代构成了电影美学意义的显现视界。传媒与网络结合,电影、艺术与传媒互动、共生,影响甚夥。电影的成长也许仍会跨越很长的历史时期。“我们不可能像从一扇门跨进一扇门那样,从一个历史时期直接跨越到另一个历史时期。”但是,电影美学与理论的时代意识正是当前电影研究的前提,在过去时代,我们经常说电影的发展是由历史支配的。对电影的进步与发展的认识意味着对电影条件的认识与解读,因此,需要不懈地回到电影发展的特定的客观环境上。现在,传媒时代的电影发展则在原先的客观化的研究对象上加入一主体性的元素,使得我们的研究与考察对象更多地变成了一种主客观的关系研究。
The media age constitutes the visual horizon of the aesthetic significance of the film. The combination of the media and the Internet, film, art and media interaction, symbiosis, influence very much. The film’s growth may still span a long period of history. “We can not just go straight from one historical period to another just like a door from door to door.” However, the awareness of the times in movie aesthetics and theory is exactly the premise of current film research. In the past times, We often say that the development of the movie is governed by history. Understanding of the progress and development of the film means understanding and interpretation of the conditions of the film. Therefore, it is necessary to relentlessly return to the specific objective environment of film development. Nowadays, the film development in the media age adds a subjective element to the original objectified research object, making our research and study objects more of a subjective and objective relationship study.