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美学常识告诉我们 :色彩是形式美的重要因素 ,是美感的最普及形式。但中国却背离这些基本的原则而走了一条水墨画的道路。本文从五行学的角度对此提出解释。指出在五行宗教哲学观中 ,中国人由于崇拜北天区以北斗星为主的自然天象 ,并从中幻化出一个天国的世界及其最高统治者天帝 (即黑帝 )。在对黑帝所代表的黑色天界的崇拜的思想支配之下 ,为契合天人 ,于是崇拜黑色的思想便转化为尚墨的意识。这便是传统中国画中重墨的根源
Aesthetic common sense tells us that color is an important factor in formal beauty and the most popular form of beauty. However, China has departed from these basic principles and has taken the road to painting. This article from the perspective of the five elements to explain this. It is pointed out that in the five lines of religious philosophy, Chinese people worshiped the natural astronomical phenomenon dominated by BeiDouXing in Beitian district and turned a world of heaven and the emperor (the Black Emperor), the supreme ruler. Under the ideology of worshiping the black heavenly kingdom represented by the Black Emperor, in order to be in harmony with heaven and earth, the idea of adoring blackness turned into an awareness of remaining ink. This is the root of heavy ink in traditional Chinese painting