在文化部举办的“2012年全国优秀剧目展演”中,张曼君导演的“展演剧目”有六台,我在北京看了五台:河北梆子现代剧《晚雪》、秦腔现代剧《花儿声声》、土家风情黄梅戏《妹娃要过河》、赣南采茶歌舞剧《八子参军》和晋剧《大红灯笼》。(一)我们都知道:现实主义文学艺术的本质是植根生活,张曼君作为导演,创作的这五台戏,都深深地走进了生活,而且让我们看到:走进了少数民族的生活,走进了草民的生活。她导演的这五台地方戏曲的展演让我们领略了西南与华北的民族、民间文化的内涵与风韵,让我们感受到普通草民的灵魂美。 In the “2012 National Excellent Repertory Show” organized by the Ministry of Culture, Zhang Manjun directed “The Repertory”, which has six sets. I saw five sets in Beijing: the Evening Snow in Hebei Diaozi Modern Drama, the Modern Opera in the Qin Dynasty “Flower sound”, Tujia style Huangmei opera “sister baby to cross the river,” South Jiangxi tea opera “Eight son join the army” and the Jinju “Red Lantern.” (A) We all know that the essence of realist literary and art work is rooted in life. The five operas created by Zhang Manjun as director and director are deeply rooted in life, and let us see that when we enter the ethnic minorities Life, into the grass people’s life. Her performances of these five local operas led us to appreciate the connotation and charm of the nationalities and folk cultures in southwest and north China and let us feel the beauty of the soul of ordinary grass people.