中国人物画始终交织着教化和性灵两条线,到后来,因其深透个体心灵生活,而愈见发达。上世纪80年代以来,伴随着思想解放、个体价值重新发现和文化精神的再认识,高逸、贞淑题材的绘画有了很大的恢复和一定意义上的发展。写意人物画 Chinese figure painting is always intertwined with two lines of enlightenment and spirituality. Later, because of its profound personal spiritual life, the more and more developed. Since the 1980s, along with the re-discovery of ideological emancipation, the rediscovery of individual values ​​and the re-understanding of cultural spirits, the painting of Gao Yi and Zhen Shu’s subjects has been greatly restored and has some significance in the development. Freehand figure painting