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明代侍妾创作了为数不少的涉夫诗文,其中部分作品反映了受欺正室的悲伤、与夫谐隐的希冀和绝命悼亡的悲叹。正室的欺压使她们无以反抗,有口难言;与夫谐隐是在丈夫仕途偃蹇或是随宦偏远之地时内心的外显;绝命诗是在受到正室欺压陷入绝望而采取极端行为的记录,悼亡诗则是作为未亡人而创作的追悼亡夫的悲苦之作。这些作品皆源自明代侍妾的亲身经历,字字发自肺腑,首首感人至深,为今人解读明代夫妾婚姻生活和家庭生活提供了不可多得的原始文本。
Ming Dynasty concubine created a large number of fashi poetry, some of which reflect the sadness by the bullies room, with the husband’s hidden hope and death grief. The oppression of the main room made them irresistible and unspeakable. The concealment of harmony with husband was the outward appearance of the heart in her husband’s career path or remote place; Taking the record of extreme acts, the mourning death poems are the travails of the mourning daughters who were created as surviving ones. These works all originated from the personal experience of concubines in the Ming Dynasty. The first words of the concubines come from the heart of the Ming Dynasty and the first is deeply touching. They provide rare and original texts for the contemporary people to interpret concubines’ concubines in the marriage and family life of the Ming Dynasty.