1949年新中国成立后,中国钢琴创作也迎来了新的大发展,获得了数量和质量上的双重突破,并表现出了一种多元化的特征。鉴于此,文章从新中国成立后中国钢琴作品的创作概况谈起,从题材、体裁、风格、手法等多个方面,对这种民族化特征进行分析,以期获得更加深刻而本质的认识。 After the founding of new China in 1949, the Chinese piano creation also ushered in a new great development, obtained a double breakthrough in quantity and quality, and showed a diversified characteristics. In view of this, the article talks about the general situation of Chinese piano works after the founding of New China, and analyzes the national characteristics from many aspects, such as theme, genre, style and technique, with a view to obtaining more profound and essential understanding.