《文心雕龙》中,连同《序志》篇,全书共出现了49个“奇”字,透过这些“奇”字我们可以看出刘勰在文学创作、文学鉴赏等各个方面的文论思想。在《文心雕龙》中,刘勰用“奇”字表达出了所有这些创作上的思想和观点,他的文论思想从这些“奇”字可见一斑。在“宗经”思想的主导下,我们可以很明显的看出刘勰对“奇”的态度,他对于那些符合儒家正统思想的“奇”和能满足审美需要,又能使文章超越平凡的“奇”持赞成态度,反之则不然。 In “Wen Xin Diao Long”, together with “Preface”, there are 49 “odd” characters appearing in the book. Through these “odd” characters, we can see that Liu Xie is famous in literary creation and literary appreciation Literary theory. In The Literary Mind and the Carving of the Dragon, Liu Yong expresses all these creative ideas and opinions with the word “odd”. His literary theory can be seen from these “odd” characters. Under the guidance of the “Sutra”, we can clearly see Liu’s attitude toward “odd ”, and for those “odd ” which meet the orthodoxy of Confucianism and can meet the aesthetic needs, Make the article beyond the ordinary “odd ” in favor of the attitude, the contrary is not.