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巴赫金的《审美活动中的作者与主人公》和《陀思妥耶夫斯基诗学问题》两书存在着矛盾之处:前者重视“整体性”,而后者则推崇趋向于分裂的复调小说特征。笔者认为巴赫金的这个矛盾之处标志着他从传统审美观念向现代审美观念的转向,而福克纳的小说《喧哗与骚动》虽然具备某种复调小说的特征,但是比较起陀思妥耶夫斯基的小说,它更具备现代性的艺术特征,这种特征即为整体性的趋于弱化。
There are contradictions between Bakhtin’s “The Author and the Protagonist in Aesthetic Activities” and “The Problem of Poetics in Dostoevsky”: the former emphasizes “integrity” while the latter advocates a polyphony that tends to split Novel features. The author thinks that this contradiction of Bakhtin marks his shift from the traditional aesthetic concept to the modern aesthetic concept. Although Faulkner’s novel “The Sound and the Fury” has some characteristics of polyphonic novels, The novel of Yevsky, which is more characteristic of the artistic features of modernity, is a feature that tends to weaken as a whole.