本文通过本雅明对德国浪漫派艺术概念的分析得出 :德国早期浪漫派最早将断篇 /片 (Fragment)建立成独立的体裁源于其反思的认识论基础和批评概念。浪漫派的断篇有对系统和整体的预设 ,而德国后现代作家博托·斯特劳斯要将碎片“进一步击碎” ,碎片的不可还原、妄想症的建构方式、对宏大叙述的质疑和强调差异的互文取代了浪漫派将断篇的不完整性无限继续以展现无限和完整的意图 By Benjamin’s analysis of the German romanticism concept, this thesis draws the conclusion that the earliest German Romanticists first established the fragmentation as an independent genre from the epistemological basis and critical concept of its reflection. There are systematic and overall presuppositions of romanticism, and the post-modern German writer Boto Strauss wants to “fragment the fragment” further, the irreversible fragments and the paranoid way of construction, Interrogatives that question and emphasize differences displace the romantic continuation of the incompleteness of the discontinuity to show infinite and complete intent