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西方现代主义绘画强调绘画的形式结构,强调艺术家的主体意识,注重主观情感和精神的表达,注重观念的更新,各种各样新的绘画形式不断涌现,形式的多样性与纯粹性、观念的创新性、绘画语言的丰富性是现代艺术家不断追求的目标。为了实现这些目标,艺术家们在对自身不断否定的过程中积极努力地探索。材料作为绘画语言和绘画的最基本的审美元素引起艺术家的广泛关注,他们开始意识到材料不仅仅是艺术表达的媒介和技术载体,更是一种独特的绘画语言,是他们实现艺术追求,更好地体现艺术观念、表达自己精神诉求的桥梁。艺术家从材料外部形态的认识转向材料的内部蕴涵的发掘,使材料本身的材质美和表现力日益彰显。绘画形式不仅是绘画作品的外在表现,同时也是绘画作品自身的构成元素,绘画给观者呈现的最直观的东西就是各种形式语汇的组合,绘画语言不同表现出的绘画形式就不尽相同,绘画语言的丰富性直接影响了绘画形式的多样性。材料经过艺术家之手为创作服务时就成为绘画作品的材料,同时也作为绘画作品的一部分而存在,材料作为一种绘画语言也就影响着绘画形式的探索,因此材料与绘画形式密切相关,相互影响。
Western modernist paintings emphasize the formal structure of painting, emphasizing the subjective consciousness of the artist, paying attention to the expression of subjective emotion and spirit, paying attention to the renewal of concepts, various forms of new paintings constantly emerging, the diversity and purity of forms, Innovation, the richness of the language of painting is the constant pursuit of modern artists. In order to achieve these goals, artists are actively exploring the process of constantly negating themselves. As the most basic aesthetic element of painting language and painting, material attracts a great deal of attention from artists. They begin to realize that material is not only a media and technical carrier of artistic expression, but also a unique painting language. They are the pursuit of art and more Good reflection of artistic concepts, express their own spiritual demands bridge. The artist turned his understanding of the external form of material to the discovery of the internal implication of the material, so as to make the material itself more material and expressive. The form of painting is not only the external manifestation of the painting, but also the compositional element of the painting itself. The most intuitive thing that the painting presents to the viewer is the combination of various forms of language. Different forms of painting show different forms of painting The richness of drawing languages has a direct impact on the diversity of painting forms. The material becomes the material of the painting when it is served by the artist, and also exists as a part of the painting. As a painting language, the material also influences the exploration of the painting form. Therefore, the material is closely related to the painting form influences.