中国画创作对画家来说是一个极其个性化的艺术活动,而创作又是中国画从临摹到写生再到出作品的重要一环,它是贯穿学习与生活相始终的重要问题,这一问题解决的好与坏,直接影响到中国画作品审美品质的高与下。因此,我们有必要对此问题有一个认真的学术考量。长期以来,我们在对待中国画创作上已经习惯于按着西方绘画创作的一般要求来思考和组织画面,也就是说,在中国画从临摹到写生再到创作的诸环节中,越往后就越依赖于西方绘画的法理要求。虽然中国画在开始临摹学习阶段是中国方式,但到了创作阶段时就变成了按西方绘画法理要 Chinese painting is an extremely individual art activity for painters, and it is also an important part of Chinese painting from copying to sketching to painting. It is an important and always important issue throughout the study and life, and the problem is solved Good and bad, a direct impact on the aesthetic quality of Chinese painting high and under. Therefore, we need to have a serious academic consideration of this issue. For a long time, we have become accustomed to thinking and organizing pictures according to the general requirements of western painting creation. That is to say, the more we rely on the later in the links of Chinese painting from copying to sketching to creation Legal requirements for Western painting. Although Chinese painting began to copy learning stage is a Chinese way, but to the stage of creation has become the legal principle of Western painting