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2001年9月11日袭击世贸大厦事件将人们唤醒,这是否带来了美国小说的在处理美国社会同广大世界之间关系问题上的更加世界化、强调自我意识以及更富创造性?本论文以这个问题为出发点,对包括“来到美国”类型的小说、流放小说以及国外“空想的社会改良家”的叙事在内的美国更深层次上的传统进行研究,不管怎么样,可以说正是这些传统使得美国吸引了本土之外世界的广泛目光。论文在结论中指出,像政治恐怖小说和科幻小说这样所谓的类型/通俗小说似乎也越来越多地关注起了当今世界。总之,虽然有人对美国小说世界化提出了疑义,但是对乔纳森·弗伦岑、诺曼·拉什、牙买加·金凯德以及唐·德里罗作品中的文体和结构实验手法还是赞赏的。
Whether this brought the world awakening of American relations with the wider world on the issue of the attacks on the World Trade Center on September 11, 2001, emphasizes self-awareness and creativity? This question serves as the starting point for a study of the deeper traditions of the United States, including the narratives of “coming to the United States” type novels, exile novels and foreign “utopian social improvement home.” In any case, It is these traditions that have given the United States a wide range of perspectives that have attracted the world beyond its native land. The paper concludes by pointing out that so-called genre / popular novels, such as political horror fiction and science fiction, seem to be paying more and more attention to the present world. In summary, while some questioned the globalization of American fiction, the stylistic and structural experimentation in the writings of Jonathan Frentzen, Norman Rush, Jamaica Kinkade, and Don DeLillo was appreciated.