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在中国古代文学研究领域,唐代文学研究园地是一片热土。在这片热土上辛勤耕耘的海内外学人恐怕是数以百计的,研究成果也可以用“年年新”、“月月新”这样的词儿来形容。由东方出版社出版的姜剑云著《审美的游离——论唐代怪奇诗派》(2002年10月版,以下简称《审美的游离》)一书,应该说是唐诗流派研究方面的新收获。《审美的游离》研究的主要时段是中唐,以唐代怪奇诗派为主要研究对象。作者全面审视了以大历、元和为中心前后一百多年间数以百计的中、晚唐诗人以及纷呈的流派,其中重点讨论了以韩愈、孟郊、卢仝、李贺、贾岛等为代表的“怪奇诗派”。作者认为,唐诗有初、盛、中、晚,中唐又分前、后二期。前期诗派包括“箧中”复古派、京洛才子派、江南仕宦派和吴中清狂派。后期诗坛则是雅正诗派、通俗诗派、怪奇诗派的鼎立格局。怪奇诗派从构成形态上
In the field of ancient Chinese literature, the Tang Dynasty literature research field is a hot spot. Hundreds of scholars from home and abroad who work hard in this hot patch of land can probably be described as “new year”, “new moon and new moon”. Jiang Jianyun, published by Oriental Press, is a new achievement in the research on the schools of the Tang poetry, Aesthetic Liberty - On the Tang Dynasty Strange School of Poetry (October 2002 edition, hereinafter referred to as “aesthetic freedom”). The main period of “esthetic freeness” research is the Middle Tang Dynasty, and the odd poetry school in the Tang Dynasty is the main research object. The author comprehensively examines hundreds of middle and late Tang poets and various genres within the more than one hundred years before and after the period of Dali and Yuanhe. The author mainly discusses the genres of Han Yu, Meng Jiao, Lu Tong, Li He, Jia Dao As the representative of “strange school”. The author believes that there are early, prosperous, middle, late Tang and Tang dynasties are divided into the former and the latter two. Pre-school poems include “箧 in ” retro school, Jing Luo genius school, Jiangnan Shi Guan School and Wu Zhongqing school. Late poetry is elegant school, popular poetry school, strange school of the utmost pattern. Strange poetry from the composition of morphology