自北宋文人画兴盛以来,大抵凡能进入美术史主流的人物,皆是诗书画三绝兼善的通才;而文人画的历史,向来崇尚超越形似的刻画,而追求意趣的寄托。这种文人画传统对画家自身的修养要求和在趣味上的选择倾向,似乎是不言而喻的常识。然而,历史往往有例外,这个人物,便是与沈周、文徵明、唐伯虎并称为明代“吴门四家”的仇英。仇英(约1498—1552年),字实父、号十洲、江苏太仓人, Since the rise of literati painting in the Northern Song Dynasty, most of the characters who have entered the mainstream of art history are all versed in poetry, calligraphy and painting. The history of literati painting has always been to transcend the portrayal of character and pursue the sustenance of interest. This tradition of literati painting seems to be self-evident common sense to the artists’ self-cultivation requirements and the tendency to choose in taste. However, there are often exceptions to history. This figure is the enemy of Shen Zhou, Wen Zhengming and Tang Bohu, who were also known as the Ming Dynasty and the “Four Wums of Wu”. Qiu Ying (about 1498-1552), the word father, number ten Island, Jiangsu Taicang,