晚清以来的中国文学现代转型始终伴随着共同体叙事的主题,而有关中国现代文学这一核心题旨的史述往往缺少日常视野和驳杂的地方经验。《中国的一日》打破了文学史与普通人的隔离,无论在家国与民族意义上,还是在阶级与社群层面,均坐实于国人的日常经验并体现出地理与文化空间上的差异。文学受众转而投身写作,反向构成叙事的主体,其间见出的新文学的现实有效性和大众的“文学生活”均为重建文学史的复杂叙事提供了新的可能。 Since the late Qing Dynasty, the modern transformation of Chinese literature has always been accompanied by the theme of community narration. However, the historical accounts on the core issue of Chinese modern literature often lack local experience and miscellaneous local experience. “One Day in China” broke the isolation of literary history from ordinary people. Both in the family and in the national sense and at the class and community levels, they all lived in the daily experience of the Chinese people and showed the differences in geography and culture . Literary audience turns to devote themselves to writing instead, forming the main body of the narrative in the reverse direction. The actual effectiveness of the new literature and the “literary life” of the public during this period all provide new possibilities for reconstructing the complicated narrative of literary history.