学界以往总是把文学编译作为一种翻译手段来进行研究,而忽视文学编译作品相对独立的艺术价值。本文从本体论和读者接受层面剖析了编译文学与文学、文学翻译、翻译文学以及民族文学之间的错综复杂的关系,并在讨论谢天振先生所著《译介学》中几个观点的基础上,指出“编译文学”和“翻译文学”一样,都应在民族文学史中占有一席之地,并被吸收为民族文学体系的一部分。 In the past, academics always used literary compilation as a means of translation to study, while ignoring the relatively independent artistic value of literary compilation. This article analyzes the intricate relationship between compiled literature and literature, literary translation, translated literature and national literature from the perspective of ontology and reader acceptance. On the basis of discussing several points of view translated by Xie Tianzhen, It points out that both “Compiling Literature” and “Translating Literature” should occupy a place in the history of national literature and be absorbed as part of the national literary system.