黄汉明的影像作品以一种家庭作坊式的低成本美学持续不断地表达他对种族及性别二元对立论的质疑。他的创作为他赢得众多赞誉之声,甚至是从一些不太可能的角落——比如新加坡的官方机构。贝安吉在文中回顾了黄汉明的创作历程,并探寻艺术家如何运用夸张的自我感去破除各种顽固的二元论。 Huang’s imagery constantly expresses his doubts about racial and gender binary oppositions in a home-based low-cost aesthetics. His writing has won him many acclaims, even from less than likely corners - such as Singapore’s official agencies. In his essay, Bei Anji reviews Huang Homming’s creative process and explores how artists can use the exaggerated sense of self to get rid of all kinds of stubborn dualism.