前言二十一世纪的书法艺术研究的重要趋势,就是书法研究逐渐走向科学化,规范化.多元化以及数量化,而学科交叉是一重要增长点。意象是中国传统美学及中国书论的重要范畴。据笔者统计,自然意象描述在中国古代书论中极为丰富(图一).在中国古代书论中具有十分重要的地位,应该得到重视,并应综合其他学科如人文地理学等的方法及结论进行深入研究。其中从人地关系角度进行研究是一个新领域。事实上,中国古代哲学中所谓,‘天人关系’就是地理学研究的核心—人地关系或人与自然的关系.也是文艺作品表现的基本内容之一。自然景观意象与书法审美之间关系的系统特征及相对丰富程度.以及这种联系是否具有一定的系统性、规范性和规律性等问题的研究,是破译书法意象学术疑难的基础。本文即拟较系统地梳理经典书论中景观意象描述现象,并根据功能目的将书法意象描述内容分为八类分别进行研究。 Foreword An important trend in the study of calligraphy art in the 21st century is that calligraphy research is gradually becoming more scientific, more standardized, more diversified, and more quantitative. Interdisciplinary research is an important growth point. Imagery is an important category of Chinese traditional aesthetics and Chinese book theory. According to the author’s statistics, the description of natural images is extremely rich in ancient Chinese calligraphy (Figure 1) .It plays an important role in ancient Chinese calligraphy and should be valued, and should be integrated with the methods and conclusions of other disciplines such as human geography Conduct in-depth study. Among them, it is a new field to study from the perspective of man-land relationship. In fact, the so-called “relationship between man and nature” in ancient Chinese philosophy is the core of geography - the relationship between man and land or the relationship between man and nature, and one of the basic contents of literary and artistic works. The systematic feature and relative abundance of the relationship between the natural landscape image and the calligraphic aesthetics, as well as the study on whether such a link has certain systematic, normative and regularity, are the basis for deciphering the academic difficulty of calligraphic imagery. This article intends to sort out the phenomenon of landscape image description in classical book theory systematically, and divide the description of calligraphic image into eight categories according to the purpose of function.