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中华民族是一个崇尚以雅为趣的民族,“雅趣”很早就成为我国古代重要的审美范畴和文学批评标准。本文论述了诗歌中儒道两家雅趣的审美趣尚:以正为雅和以逸为雅,并进一步论述了雅趣的本质特征以及雅趣的创作要求。
The Chinese nation is a nation that advocates elegance for the sake of elegance, and “elegance” has long been an important aesthetic category and standard of literary criticism in ancient China. This article discusses the aesthetic taste of the two tastes of Confucianism and Taoism in poetry: taking Ya-yi and Yi-yi as elegance, and further elaborates the essential characteristics of elegance and the creative requirements of elegance.