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1 第一次见到张先生是1984年秋在重庆北碚。那年高等师范美术教学已走上正规,全国十几所高师的美术史教师在那儿讨论编写教材大纲。张先生当时是中央美术学院美术史系教授、博士生导师,受教育部聘请担任顾问兼教材主编。他对大家说,师范美术专业的学生修养要高,搞好教材十分紧迫。他从商周青铜工艺、六朝书法与造像……分析了编写须注意的全与精、史与论等诸多关系,还对合
1 The first time I saw Mr. Zhang was in the autumn of 1984 in Beibei, Chongqing. That year, higher normal art teaching has gone formal, a dozen of the country’s art history teachers discuss the preparation of textbooks outline. At that time, Mr. Zhang was a professor of art history at the Central Academy of Fine Arts and a doctoral tutor. He was hired by the Ministry of Education as a consultant and editor in chief of teaching materials. He told everyone that normal students majoring in fine arts must be well trained and teaching materials are very urgent. He from the Shang and Zhou bronze craft, calligraphy and statues of the Six Dynasties ... ... analysis of the preparation should pay attention to all and essence, history and many other relations, but also on