一部悠久的中国诗歌史显然存在着两个优秀传统:一个是以《诗经》为代表的风雅传统;另一个是以《楚辞》为代表的骚赋传统。前者带有现实主义倾向,如曹植、刘桢、陶潜等人的诗歌作品;后者带有浪漫主义的倾向,如王粲、郭璞、鲍照等人的作品。发展到唐代,这两种倾向相互融合,形成了殷瑶所说的“文质半取,风骚两挟”(《河岳英灵集·集 There is obviously two excellent traditions in a long history of Chinese poetry: one is the elegant tradition represented by The Book of Songs; the other is the tradition of Sao Fu represented by “Chu Ci”. The former has the tendency of realism, such as Cao Zhi, Liu Zhen, Tao Qian et al’s poetry; the latter with a romantic tendency, such as Wang Wei, Guo Pu, Bao Zhao and others. The development of the Tang Dynasty, these two tendencies merge with each other, formed Yin Yin said “literary half take, coquettish two ” ("