正像许多文学名著的影视改编常常遇到的那样,四十八集电视连续剧《水浒传》播出之后,舆论的反响褒少贬多。在对它的评价中,“不忠实于原著”是最为突出的一种诘难。其中,编导对女性人物形象的处置常常被引援为明显的证据。 不可否认,与文学原著相对照,电视剧《水浒传》确实在对女性人物形象的表现上作了比较大的变动,它给予这些女子以更多的“戏份”,甚至在人物形象的审 Just as the adaptation of films and television programs in many famous literary works is often encountered, after the broadcast of the 48-episode TV series “Water Margin”, the public opinion reiterated less criticism. In its evaluation, “not faithful to the original” is the most prominent kind of hardship. Among them, the director of the treatment of female characters are often cited as a sign of obvious evidence. Admittedly, in contrast with the original literary works, the drama “Outlaws of the Marsh” did make a relatively large change in the performance of female figures. It gave these women more “scenes”, even in the trial of the character images