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就在农历九月初九重阳节这一天,妥木斯及其弟子们集体亮相于中国油画院,妥先生这两年的新作占据了整整一个馆,质量之高、数量之多令人叹服,这些作品,画面浑厚而质朴,简约且高贵,无论是从技术厚度还是艺术高度看,在妥木斯个人艺术史上都是前所未有的。展览作品中有不少人物肖像是他根据早年画的素描,经过再度创造,转换成油画,并且同时展出。一幅幅素描头像本身已属精美的传神之作,层次丰富而厚重。20世纪50年代,妥木斯在中央美术学院经过多年扎实的基本功训练,因此,这些素描本身已具有独立的审美价值。当妥先生将这些作品作为“原材料”做再度创造的
On the ninth day of the ninth lunar month, in September of the same lunar calendar, Tuomus and his disciples collectively appeared at the Chinese Oil Painting Institute. The two new works by Mr. Toto occupy an entire museum, of which the quality is as high as the number of them. Works, the picture is thick and simple, simple and noble, whether it is from the technical thickness or height of art, in the history of personal art in Jimo are unprecedented. There are many portraits of portraits based on sketches drawn from his early paintings, re-created, transformed into paintings, and exhibited at the same time. A sketch of the picture itself is an exquisite workmanship, level rich and heavy. In the 1950s, Tutus trained in the Central Academy of Fine Arts after years of solid basic skills. Therefore, these sketches have their own independent aesthetic value. When Mr. Toshiaogu these works as “raw material ” to create again