造像艺术是中国雕塑艺术中的一个重要的艺术门类,从最早的裴李岗文化陶塑人头、仰韶文化陶塑人像、红山文化圆雕女神像独立出来开始,秦汉时期涌现出数量巨大、造型成熟的人俑像,魏晋南北朝时期石窟寺里的佛、菩萨、罗汉形象进一步拓展了艺术表现力,尤其是隋唐以后各代造像艺术着力表现智慧的内心和脱俗的风度,在人物形象、创作风格以及人文内涵方面都有了极大变化,形成了独立的创作与理论上的美学标准。造像艺术品凝聚着不同历史时期的特定内涵,反映着当时 The art of figurines is an important art genre in Chinese sculpture art. Starting from the earliest Peiligang culture pottery statue, Yangshao culture pottery portrait and the Hongshan culture, the statue of the goddess of the round sculpture began to emerge. In the Qin and Han dynasties, there were a large number of mature figurine figurines The images of Buddhas, Bodhisattvas and Lohan in the cave temples during the Wei, Jin, Southern and Northern Dynasties further expanded the expressiveness of the arts. In particular, in the post-Sui and Tang dynasties, the dedication of the art of figurines exerted their innermost and refined demeanor. In terms of characters, creative style and cultural connotation Have made great changes, forming an independent aesthetic and theoretical standards. Statues of art condenses the specific meaning of different historical periods, reflecting the time