我们绘画历史的发展,在没有进行科学的论证整理之前,由于材料的真伪的谬误和历代理论家不同的观点影响,使部分历史事实失掉了他的真相,在这些伪史料中影响比较广泛、流行时间久的,笔者认为还是“南北宗”时期。董其昌硬是要把自唐以来的山水画分为“南”、“北”两大支派,也没有去理会那些画家创作上的思想风格、手法和形式,便强把他们 Before the development of the history of painting, we failed to carry out the scientific justification and sorting out, because of the false authenticity of the material and the influence of different viewpoints of the ancient theorists, so that some of the historical facts have lost his truth and have had a relatively extensive influence in these false historical materials. Popular for a long time, I think or “North-South” period. Dong Qichang just wanted to divide the landscape paintings since the Tang Dynasty into two major tribes of “South” and “North”, and did not pay attention to the ideological style, technique and form of those painters,