读梁实秋的《雅舍》,内心泛起些许波澜。《雅舍》篇幅不长,辞藻无华,字里行间,只描写雅舍的简陋,看似厌之,实则品味其简朴与利落。有时令人捧腹而笑,有时使人失声而呼。我自以为读过不少好的文章,如茅盾的《白杨礼赞》,季羡林的《赋得永久的悔》等等,无一不是学贯中西、博古通今的文学巨人题就的千古美文。但《雅舍》有别于任何一篇我所读过的散文。作为梁实秋散文全集的开篇之作,《雅舍》用它欢快幽默的语言塑造出一个 Reading Liang Shih-ch’iu’s “Jascha”, some turmoil in his heart. “Jascha” length is not long, no rhetoric, between the lines, only to describe the primitive Jasper, seemingly tired, but in fact its taste simple and neat. Sometimes it makes people laugh, sometimes making people lose their voice. I think I read a lot of good articles, such as Mao Dun’s “Poplar Praise,” Ji Xianlin’s “Endowment of Permanent Remorse,” and so on, all are ancient Chinese and Western literary gossip inscribed on eternal beauty of the United States. However, “Jascha” is different from any one I have read the prose. As the opening essay of Liang Shih-ch’iu’s essay collection, “Ya-she” shapes one with its cheerful and humorous language