CEPA实施已经超过十年,随着内地电影产业的快速发展,市场竞争越发激烈,内地与香港合拍片早年的“化内地”手法已经无法满足观众需求。近几年,“北上”的香港导演在经历了多次试错之后,开始逐渐地摸索出包括“去地域”、“粘地域”、“共地域”以及“再地域”等有效的“地域”策略,从而诞生了一些票房和口碑上都得到肯定的合拍作品。与此同时,“港片已死”的哀叹声不绝于耳,然则这一观点值得商榷。 With the rapid development of the movie industry in Mainland China and the fierce market competition, CEPA has been implemented for more than 10 years. The “Mainland-China” approach of co-productions between the Mainland and Hong Kong has been unable to meet the needs of the audience. In recent years, after going through many trial and error attempts, Hong Kong directors who are “going north” began to gradually find out “local areas”, “sticky areas”, “common areas” and “ Re-geography ”and other effective “ territory ”strategy, which gave birth to some of the box office and word of mouth have been affirmed co-production works. At the same time, “Konggang is dead ” lamenting voices, but this view is questionable.