中国神庙戏台样式繁多,可进行多视觉的考察与研究。仅就其整体结构而言,即可分作单体式、组合式、连台式(二连台、三连台)等。其中组合式又可分作前后组合、左右中组合、上下组合及左中右上下组合、前后左右等复杂组合。这里只将前后组合式戏台加以考述及论证,内容包括其整体基本形制、演变形制及形成的原因、成就与缺憾等。如有错误和疏漏之处,还望方家指正。一、前后组合式戏台的基本形制中国神庙前后组合式戏台的基本体制,以其建筑平面划分,只有凸字形、倒凸字形、方形三种。其中以平 Chinese temple theater style many, multi-visual inspection and research. Only in terms of its overall structure, can be divided into single, modular, with the desktop (two even Taiwan, three even Taiwan) and so on. Which combined can be divided into before and after the combination, left and right combinations, up and down combination and left and right up and down combination, before and after the complex combination. Here only before and after the combined stage to test and argument, including its overall basic shape, evolvement and the formation of the causes, achievements and shortcomings. If mistakes and omissions, but also looking Fangfang correction. First, the basic form before and after the combined stage Chinese temple before and after the basic structure of the combined stage, divided by its architectural plan, only the convex shape, inverted convex shape, square three. One to flat