这几年,我看了又买书送给别人的,有李娟的新疆系列、小安的《我们这儿是精神病院》,以及桑格格的半自传系列。三人都是惊喜,都被主流关注、肯定,但并不最受推崇。主流需要的是一套有架势的家具,而她们是树木,青翠欲滴,有阳光,有虫洞,有气息。她们有自己的生态,她们的身姿不贡献给伐木者。其中,属桑格格的难度系数最高,她面对的是被反复书写的日常生活,不提供特殊场景、极致感受,她是孤军奋战。家常的衣服要穿出惊艳,底子得多好。《不留心,看不见》是我最愿意看到的桑格格的书。书有三部分,小 In recent years, I read and bought a book for others. There are Li Juan’s series in Xinjiang, Xiaoan’s “We Are Mental Hospital,” and Sang Gege’s semi-autobiographical series. Three are surprises, are the mainstream concern, sure, but not the most respected. The mainstream needs is a set of furniture with posture, and they are trees, verdant, sunshine, wormhole, breath. They have their own ecology, their posture does not contribute to the loggers. Among them, Sanggege the highest degree of difficulty, she is confronted with repeated written daily life, does not provide special scenes, the ultimate feeling, she is alone. Homelike clothes to wear stunning, the foundation is much better. “Do not care, invisible” is my favorite book to see Sang Gege. The book has three parts, small