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弗莱彻·本顿的喷漆钢作品“平衡/不平衡”塔,耸立在附近的一圈栅栏中。它由巨大的半圆形、三角形和一个突出的桅杆组成,隐约呈现出一种拟人化结构,就好像以一个讨喜的非对称几何学的姿势,向经过的车流招手。转过一个拐角,沿着一条整齐的碎石路走上一小段,一队阿尔伯特·佩利的焊接门,以其有机的韵律和蜿蜒向上的姿态,模仿着两侧的灌木丛和草地的布置。这些出人意料却又极为和谐的钢铁景观,提醒我们来到了卡伦和罗伯特·邓肯的16万平方米的庄园。这座位于内布拉斯加州林肯市的庄园,分布着
Fletcher Benton’s painted steel work “Balanced / Unbalanced” tower stands in a circle of fences nearby. It consists of a huge semicircular, triangular and a prominent mast, looming a personification structure, like a lovable asymmetric geometric posture, waving to the passing traffic. Turning a corner, a short walk along a neat gravel road, a team of Albert Pelli’s welding doors, with its organic rhythm and meandering upright, mimicked the bushes on both sides and Grassy setting. These unexpected but extremely harmonious steel landscapes remind us of the 160,000-square-meter estate of Karen and Robert Duncan. This manor house in Lincoln, Nebraska, is located