读过许多写植物的文章,但读何频先生的树木散文有种别样的感觉。这种感觉源于两点:一是作者细致的观察与行文的绵密。结实的文字方阵虽力透纸背却古雅秀美,作者对树木的感觉和对文字的感觉达到和谐的统一。二是人性的思考根植于字里行间。作者吝于直抒胸臆,却于走笔之间不经意地融入自己的感情,这种不滥情的写法却让人感到情感的丰沛。予民先生是杂文老手,即使写一草一木也忘不了生发联想,忧国忧民。后两篇文字平易朴素,迥异于前两篇之细腻华丽。本期《时文英华》选四篇草木散文,对比阅读,或有所启益。草疏朗 I have read many articles on plants, but reading Mr. Ho’s tree essays has a different kind of feeling. This feeling stems from two points: First, the author’s meticulous observation and meticulous writing. Although the solid text squares are quaint and beautiful through the paper, the author’s feelings about the trees and the feeling of the words are in harmony. The second is that human thinking is rooted in the lines between words. The author squatted on his chest, but inadvertently blended in with his feelings. This kind of uninspired writing made people feel emotional. Mr. Yu Min is a veteran essayist. Even if he writes a piece of wood, he can never forget to worry about his country and worry about the people. The latter two words were plain and plain, quite different from the exquisite and gorgeous of the first two articles. In this issue of the “Written English,” select four pieces of essays in the woods. Shu Lang