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海子作为上世纪80年代的代表性诗人,他的作品以及他的人生经历无论是对诗歌还是对于整个文学的嬗变都有着不可磨灭的历史意义,由于海子自我毁灭所带来的巨大悲剧性和传奇性,加之“诗人之死”的渲染造势,海子研究一直是诗歌研究的重镇。本文联系海子的创作思想,并通过对其诗作进行细度,可以清晰的看到海子诗歌当中有着浓厚的存在主义色彩。因此,本文主要是通过存在主义的视野来透析海子诗歌,着重分析海子诗歌当中的孤独意识、荒诞意识和死亡意识,力求对海子的诗歌达到更深层次的挖掘。
As a typical poet in the 1980s, Haizi’s works and his life experiences have indelible historical significance both for poetry and for the whole literary evolution. Due to the great tragedy and legend that Haizi self-destroyed Sex, coupled with the “poet’s death,” the rendering momentum, Haizi research has always been the focus of poetry. This article relates Haizi’s creative thinking, and through the fineness of his poems, we can clearly see Haizi’s poetry has a strong existentialist color. Therefore, this thesis attempts to analyze Haizi’s poetry through the existentialist perspective, and focuses on the analysis of the lonely, absurd and death consciousness in Haizi’s poetry, and tries to reach a deeper level of excavation of Haizi’s poetry.