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一小说是自由性、综合性最强的文学体裁,因而人们将小说作为一个时代的文学整体的代表,以至作为一个民族智慧的象征,寄予很大的期望。而我国小说自20世纪80年代以来空前繁荣,达到了“五四”以来最为兴旺的阶段。然而,许多人总觉得小说少了什么。更有不少人对小说的现状抱有确定的缺憾没有公认的大师和风行世界的名著。我则认为,小说家理论认识核心以及整体生命的贫弱是当代小说的要害。是否可以这样说:没有一个当代小说家拥有自己的理论认识系统?不
A novel is a literary genre with the highest degree of freedom and comprehensiveness. Therefore, people have placed great hopes on the novel as a representative of the whole literature of the time and even as a symbol of national wisdom. However, novels in our country have been unprecedented prosperity since the 1980s, reaching the most prosperous stage since the May 4th Movement. However, many people always think that the novel less what. More and more people have definite flaws in the status quo of the novel. There is no recognized master and masterpiece of the popular world. I think that the core of the novelist’s theory and the weakness of the overall life are the crux of contemporary novels. Is it true that no contemporary novelist has his own theoretical knowledge?