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梅兰芳大师一生从事京、昆表演,对戏曲的贡献是多方面的,本文梳理评述他对戏曲的理论贡献。梅大师进行一系列创作演出之后,1931年与余叔岩、齐如山等组建了北平国剧学会,着手研究京剧。其研究看法,可得知于《剧学月刊述概》阐明之宗旨:“一、本科学之精神,对于新旧彷徨、中西糅杂之剧界病象、疑难问题,谋得适当之解决。二、用科学方法,研
In his life, Master Mei Lanfang engaged in Beijing and Kunming performances, his contribution to the opera is multifaceted. This article reviews and comments on his theoretical contribution to opera. Master Mei performed a series of creative performances, and in 1931 with Yu Shuyan, Qi Roushan set up Peking Opera Society, Peking Opera. Their research ideas, can be learned in the ”drama monthly summary“ set out the purpose: ”First, the spirit of undergraduate science, for the old and the new, the Chinese and Western mixed drama disease, difficult problems and seek appropriate solutions. Second, with scientific methods, research