一之所以写下这样一个题目,是因为,每次提及艾伟,我通常会首先想到他早年的小说《杀人者王肯》。这也是我与艾伟首次遭遇时读到的小说。我对这个有着1980年代先锋小说的叙事风尚的作品至今印象深刻。这是一个关于存在与本质之间分裂与聚合的故事,却奇妙地编制成了一个关乎尊严与人性的价值叙事;它精致的语言组织,回环流畅的叙事体,以及那种若隐若现似有似无的哲学气息,都让我深怀好感。此后的阅读里,在《杀人者王肯》中已然彰显的某些风格在艾 One reason why I wrote such a question is that every time I mentioned Ai Wei, I would usually first think of his early novel “Killer Kennedy.” This is also the novel I read when I first met Ai Wei. My impression of this narrative style with avant-garde novels of the 1980s has so far been impressed. This is a story about the division and aggregation between existence and essence, but it is wonderfully compiled into a value narrative about dignity and humanity. Its elaborate language organization, smooth narrative, and the kind of looming The philosophical atmosphere, let me deeply affectionate. In the following reading, some of the styles that have already been revealed in “Killer Kennedy” are in Ai