方海霞:“创造真实环境中的真实人物的问题是那样的复杂和富于挑战性,要定义他们就像在一个小小的玻璃杯里装下整个世界一样难。”尽管如此,年轻的第六代导演路学长,继《长大成人》和《非常夏日》之后,还是把创作的触角伸向了平民生活中的平民化人物,还是用他那双粗糙的手编织着细致的网,网住了一个人物,也网住了一个社会。从《没事儿偷着乐》中的张大民到《卡拉是条狗》中的老二,城市底层市民的形象在不断地丰富化、立体化。从张大民的口中,我们听到了社会底层市民的生活呼声;而从老二的身上,我们更清晰地看到了一个底层市民的戏剧性生活及其折射出的纷繁芜杂的 Fang Haixia: “Creating real people in real environments is so complex and challenging that defining them is as hard as putting the whole world in a little glass.” Nevertheless, the young sixth On behalf of the director of the road, following the “grown up” and “very summer”, or the creation of tentacles stretched to civilians in civilian life, or with his rough hands weaving a detailed network, Live a character, but also live a network of society. From Zhang Damin in Zhang Mumu, who “steal music from nothing,” to her second son, “Kala is a dog,” the image of the urban citizens at the bottom of the city is constantly enriched and three-dimensional. From Zhang Damin’s mouth, we heard the voice of the people living in the bottom of society. From the second child, we saw more clearly the dramatic life of a bottom-class citizen and the complicated and complicated