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电影作为一门时间的艺术,在本体上便与时间旅行的特性存在暗合。电影是对时空进行变形与再组装,时间旅行在本质上是对现实的一元化时空实现复制或变形,而关于时间旅行的电影是在电影本体的基础上进一步挖掘时空特性的影像。本文旨在对穿越电影进行溯源,并从电影类型的角度对其进行重新归类,从而探讨穿越电影中时间的呈现方式与哲学意义,透析穿越电影从精英文化“发芽”到大众文化“盛开”的影史旅行背后所具有的文化深层原因。
The art of film, as a time, is inherently incompatible with the characteristics of time travel. Movie is the deformation and reassembly of time and space. Time travel is essentially the reproduction or deformation of the reality of the unified space-time, while the movie about time travel is based on the ontology of film to further excavate the image of space-time characteristics. The purpose of this paper is to trace the traversing films and to reclassify them from the perspective of film genre, so as to explore the presentation mode and philosophical meaning of the time in the film through dialysis through movies from elite culture to germination culture, “Blooming ” history of film travel behind the deep cultural reasons.