按照沃尔夫林《艺术风格学》的分类,西方绘画可分为线条图形和块面图形两种,并且,无论是传统的写实性绘画还是后来的现代绘画,一般都要做草图、打草稿,一次性“直呈”的方式极为少见。但中国书法的基本语素却是带有一定空间造型的点画,是在流动的、不可回逆的时间流程中被塑造出来,所以,以西方艺术中常说的线条节奏、块面节奏来分析中国书法,存在着很明显的认识论的错位。 According to Wolfelin’s classification of “art style”, Western painting can be divided into two kinds of line drawings and block drawings, and both the traditional realistic painting and the later modern paintings generally have to be sketched and drafted , One-time “straight was ” way is extremely rare. However, the basic morpheme of calligraphy in China is a kind of stippling with a certain spatial shape, which is shaped by the flowing and irreversible time process. Therefore, according to the rhythms of lines and block rhythms in Western art, the Chinese calligraphy , There is a clear dislocation of epistemology.