纪录片对“真实”的美学追求使其成为各个国家宣传自己的文化传统、生活方式、价值观念和地理风光的最佳载体,国外纪录片制作机构纷纷进入中国,把镜头对准了发展与问题并存的中国,用“他者”话语来展现中国形象。这些来自于“他者”的话语又是如何建构中国形象的呢?这些“他塑”背后的中国形象又有哪些话语权力的博弈?我国的纪录片又该如何规避“他塑”下的负面影响,加强中国形象的“自塑”能力呢?这些是本文所要 The documentary’s pursuit of “real ” aesthetics makes it become the best vehicle for all countries to promote their own cultural traditions, lifestyles, values ​​and geographical scenery. Foreign documentary producers have successively entered China to focus their attention on development and problems The coexisting China uses the words “other” to show the image of China. How do these constructs of China’s image come from the discourse of the Other? What are the discursive power games of the Chinese images behind the “He Plastic”? How can we avoid the documentary of our country? “Under the negative impact of strengthening China’s image ” self plastic "ability? These are the article to be