通过比较研究的手法,从哲学体系、理论形态和艺术风格多角度探讨中国传统图形与西方构成体系的差异与和谐,基于“文化耗散论”原理,指出两种构成理论应该相互交流和融合,在设计中要有意识地挖掘本民族文化的精华,要以现代的维度反思传统,提取传统中的神韵,“心”——“物”结合,从差异中求和谐,避免在学习和借鉴中迷失自己。 By means of comparative study, this paper discusses the differences and harmony between Chinese traditional graphic and western compositional system from the perspectives of philosophical system, theoretical form and artistic style. Based on the principle of “cultural dissipative theory”, it is pointed out that the two theories of composition should be exchanged with each other In the design, we should excavate the essence of our national culture consciously. We should reconsider the tradition in the modern dimension and abstract the charm and tradition in the tradition to seek harmony from the difference and avoid Lost yourself in learning and reference.