从《陶醉的圣·特蕾莎》这一雕塑,我们可以发现审美、宗教、受虐三种快感方式的同时呈现,它映射出的是狄奥尼索斯(Dionysus)的酒神精神。神性享乐(女性的第三种享乐),摆脱了身体被生殖器殖民的现状。这种趋向,将无意识带向了神性的彼岸——全身性的高潮——这不仅将痛感和快感交融,消融彼此的界限,同时也超越两者,超越了优美、崇高和悲剧的美学范畴。 From the sculpture “Intoxicated Saint Theresa,” we can find the simultaneous presentation of the three pleasurable modes of aesthetics, religion, and abuse, which map out Dionysus’ spirit of Dionysus. Divine enjoyment (the third kind of enjoyment for women), freeing up the status quo of colonial genitalia. This tendency leads unconsciousness to the other side of the divinity, the general orgasm, which transcends the aesthetics of beauty, sublimity, and tragedy, not only by blending pain and pleasure but also by melting each other’s boundaries as well as both. .