(完美:是几百年来所有古典吉他制作家们终身为之奋斗的目标。这几个世纪以来为了让古典吉他的琴体共鸣更为和谐,制琴师们用过了数千种木材。为了展现它那委婉动人的音色,大师们挑选了无数种琴弦材料。为了使琴弦更加稳定,他们更换了近百种材料的弦钮……等等。数不尽的技术与创新工艺,使得今天我们弹奏的古典吉他已相当完美了。但是,在音乐多元化的今天,“简简单单”的独奏已经不足以完美体现“乐器王子”的风采了,当今的古典吉他演奏家更多的活跃在与管弦乐队的合奏、与电声及键盘等乐器的协奏中,更加附合“fusion”的国际趋势。当然,刻意的符合什么趋势,并不是古典吉他演奏家的初衷。与多种音乐形式的结合,让古典吉他艺术更为完美,这才是他们的目的。而当演奏家们为了这种新的艺术形式而兴奋时,一个不能掩饰的“瑕疵”让完美打了折。这里所谓的“瑕疵”是指:因有品弦乐器的调律方法与键盘乐器的调律方法虽然相同,但实质上有很大区别,最明显的表现为本身已调好的琴弦与键盘乐器合奏时经常会出现轻微的不和谐,这种“顽症”极大限度地干扰了演奏家们的情绪,他们采用了多种更为精确的“泛音”的调弦法,结果还是不尽如人意,唉……将就吧。) (Perfection: The goal all generations of classical guitar makers have been struggling with for centuries. For centuries, luthiers have used thousands of pieces of wood for centuries to make the harmony of the classical guitar more harmonious. To show its euphemistic tone, the masters have chosen countless strings of materials, and in order to make the strings more stable, they have replaced the strings of nearly a hundred materials .... And so on. The endless technological and innovative processes that make Today we play the classical guitar has been quite perfect.But in the music diversity today, “simple” solo is not enough to perfectly reflect the “instrument prince” style, and today’s classical guitarist more Active in orchestral ensembles, and electroacoustic and keyboard musical instruments such as concerts, more “fusion” of the international trend.Of course, deliberately in line with what trends, is not the original intention of the classical guitarist. And a variety of It is their purpose to combine the forms of music with classical guitar art, and when performers are excited about this new form of art, a flaw that can not be disguised allows perfection Off. “Here the so-called” flaw “means: because of stringed instruments and musical instruments tuning method with the keyboard although the same method of tuning, but in fact there is a big difference, the most obvious manifestation of the tune itself is a good string Minor discordances often occur with ensembles of keyboard instruments. This ”stubbornness“ greatly interferes with the performer’s mood. They employ a variety of more accurate ”overtone" tuning methods and the result is not Enough, alas ... will do.)