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国画写意牡丹画小品是写意画的一个组成部分,它有着独特的、丰富的表现形式。有句名言:“洛阳牡丹甲天下”,也就是说,牡丹文化已成为中原河洛文化的一枝奇葩,早已闻名于全国乃至于全世界。它有着辉煌的发展历史,最初起源于明代,演变至今,风格更加丰富多彩,其特点高贵典雅,笔墨酣畅,色彩雅致,形神兼备,富有奇特韵味。它来自大师名家的高手,突出表现了具有个性特征的用笔方法与样式,在画面上表现得淋漓尽致。它们既是抽象的,又是具象的,是相对于具象艺术和抽象艺术而自成体系的意象艺术。牡丹写意画小品的内容很丰富。翻开国画大师的写意小品,映入我们眼帘的是,徐渭(明)的《白牡丹》,任伯年(清)的《牡丹》图,吴昌硕的《水仙牡丹》,王雪涛的(现)《牡丹双蝶》,王绣(现)的《富贵吉祥》等等各具特色,很有独特魅力,解析和赏识各名家的“笔墨”与“程式”技法,为提高牡丹写意画小品的教学创作起到一定的辅助作用。
Chinese painting Peony painting sketch is an integral part of freehand painting, it has a unique, rich expression. There is a famous saying: “Luoyang Peony A world,” that is to say, peony culture has become a wonderful work of the Central Plains Heluo culture, has long been known in the country and even the world. It has a brilliant history of development, originally originated in the Ming Dynasty, evolved so far, the style is more colorful, characterized by elegant, pen and hearty, elegant color, shape and spirit, full of unique charm. It comes from masters masters, highlighting the personality characteristics of the pen approach and style, the performance on the screen vividly. They are both abstract and figurative, and they are the art of imagery which has its own system of figurative art and abstract art. Peony freehand sketch content is very rich. Open the freehand sketches of the masters of Chinese painting, which are reflected in our eyes are “White Peony” of Xu Wei (Ming), “Peony” of Ren Biannian (Qing), “Narcissus Peony” by Wu Changshuo, Peony Double Butterfly “, Wang Xiu (present)” auspicious “and so on have their own unique charm, analytical and appreciation of the famous” pen and ink “and” program "technique, in order to improve the teaching of peony freehand sketches Play a supporting role.