平面性图式作为一种艺术语言形式,在陶艺的语境中对主体造型有着视觉上的补充作用。它具有符号性、直观性的特点,并依附于主体,成为了现代陶艺一种重要的表现形式。它与造型自然有机地合为一体,成为了表达意图、传递观念的艺术载体,给作品带来的不仅仅是视觉上的美感,更多地还拓展了观者的想象空间及对造型的视觉补充。 As a form of artistic language, the graphic schema has a visual supplement to the subject’s modeling in the context of pottery. It has symbolic, intuitive features, and attached to the subject, has become an important form of modern ceramic art. It is naturally and organically integrated with the modeling, has become an expression of intent, the concept of art delivery carrier, to bring more than just the visual aesthetic, but also to expand the viewer’s imagination and visual modeling supplement.