看到魏明伦先生《当代戏剧之命运》后,颇有感触;现将一些不成熟的想法写出来,以求魏先生与读者纠正。中华戏曲文化博大精深,通体闪烁着美学光环,自宋、元以来,神州大地上无处不荡漾着诸般声腔的曲谱神韵。30年前,中原著名书画家林国选老先生(《中国历代名人墨宝大典》等收有先生作品)曾说给笔者一幅以“唱戏”二字拆写的戏联: After seeing Mr. Wei Minglun “the fate of contemporary drama,” he felt quite uncomfortable. Now we write out some immature ideas so that Mr. Wei and his readers can correct them. Chinese opera culture is broad and profound, the whole body glitters with the aura of aesthetics, and since the Song and Yuan Dynasties, the vast territory of China has rippled the music spectrum of all kinds of voices. Thirty years ago, the famous painter and author of the Central Plains, Mr. Lin Guoxuan, who once said to the author, “A Drama of Chinese Opera”