我学习国画,是由喜欢笔墨的韵味开始:没事喜欢在宣纸上涂鸦,这对了解笔和纸的性能还是有挺帮助的,涂鸦中逐渐对“骨气形似皆本于立意而归乎用笔”中的“骨气”有所感悟,感悟到了用笔的速度、力度的关系,体会到运笔缓者凝,疾者飘逸,轻者柔,重者刚,墨色的黑、白、浓、淡、湿之韵味在运笔中运应而生,如此最基本的道理。之后,用这涂抹的感觉去画山水小品的,一两棵树,树后加一亭子,再添一点景古装人物,就这样开始了我最初的山水画的创作,被大家认为笔墨灵动,有点小趣味,也是在这样的赞扬声中我开始了山水画第一阶段的创 I studied traditional Chinese painting by starting with the taste of pen and ink: nothing likes graffiti on rice paper, which is quite helpful for understanding the performance of pen and paper. Graffiti is gradually changing from “ ”In the“ bone ”Some insight, perception of the speed of the pen, the intensity of the relationship, to experience the pen and condensate condensate, disease is elegant, light soft, heavy just, ink black, white, thick , Light, wet charm shipped in the pen should come into being, so the most basic truth. After that, use this smear feeling to draw landscape sketch, a tree or two, a pavilion after the tree, add a little King portrait costumes, so I started my first landscape painting creation, we think that the pen is clever, a bit small Interest, but also in such praise I started the first phase of landscape painting