关于中国传统人物画为什么一直死守线条平面问题,还在早年骑自行车时似乎就有了答案。前面的骑行者,背后望过去一片黑头发,迎面过来的一个个扁平脸。偶尔家中来一位南大留学生,尽管她不算白种人中出众的,偏胖,但素描起来眉眼之间只嫌不够黑,加深再加深;一双眼睛—眼睑的线条、睫毛的浓密弯曲,正面怎么表达呢—一缕一缕,还不能过分强调,否则像时尚插图—总之,太富有画意了。加上瞳孔的颜色、头发的颜 As for why Chinese traditional portraits keep sticking to the line plane, there seems to be an answer when riding a bicycle in the early years. The front of the cyclists, looking behind a piece of dark hair, one by one flat face oncoming. Occasionally home to a Nanda students, although she is not superior to the Caucasian, overweight, but not enough to sketch between facial features black enough to deepen and deepen; a pair of eyes - eyelid lines, eyelashes thick curved, front How to express it - a ray of wisdoms, can not be overemphasized, otherwise, like a fashion illustration - in short, too rich. Add pupil color, hair color