引言在《故事新编·序言》之中,鲁迅曾说过这样一段话:“不记得怎么一来,中途停了笔……当再写小说时,就无论如何,止不住有一个古衣冠的小丈夫,在女娲的两腿之间出现了。”①这里所说的,是小说集《呐喊》的最后一篇《不周山》。这篇小说本是写女娲补天及造人的伟业,笔到中途,却突然出现了所谓“古衣冠的小丈夫”等与原本的叙事结构及叙事意图全无关系的内容。鲁迅随后对此 Introduction In the “Introduction to the History of the New Series,” Lu Xun once said something like this: “I do not remember how I came to stop the pen halfway ... When I wrote a novel again, I could not stop having an ancient The little husband of the crown appeared between the legs of the waddles. ”① What we are talking about here is the last one in the collection of novels,“ Shout ”. This novel is to write Nu Wa Tian Tian and make man of Albert CHAN, pen midway, but suddenly appeared so-called “ancient clothes of the little husband ” and the original narrative structure and narrative intent has nothing to do with the content. Lu Xun then this