尽管一些批评者指责传统电影因其过强的煽情功能而成为情感陷阱,但电影的力量却不可能离开情感。真正的哲理自然会具有与之相应的情感力量《孩子王》就是如此。它虽然保持着阿城——陈凯歌一贯的冷峻,却不象《黄土地》或阿城的小说那样使观赏者自始至终保持冷静。影片中有两个地方令我激动不已,一是字典,一是知青们吼唱的那支歌。无论阿城还是陈凯歌,都是不屑于在小道具上玩花样的,可他们却把字典看得这样重为什么?我以为,原因在于它已不是小道具,而是一种象征,关于 Although some critics have accused traditional films of being emotionally trapped by their excessive sensationalism, the power of the film can not possibly leave the emotion. True philosophy will naturally have the corresponding emotional power of “child king” is the case. Although it maintains the usual solemnity of the city of Acheng-Chen Kaige, it does not keep the audience calm from beginning to end, like the “Yellow Earth” or the novels of a city. There are two places in the film I am excited, one dictionary, one that educated youth roar that song. Whether Acheng or Chen Kaige, are disdain in the props play tricks, but they see the dictionary so heavy Why? I think the reason is that it is not a props, but a symbol of